Extensive backmatter, including an afterword by Ruth Franklin, provides superb resources. In the final pages, the titular bird, seen in previous illustrations, soars skyward and connects readers to today’s immigration tragedies. The narrative thread, inspired by Palacio’s mother-in-law, is spellbinding. Her digital drawings, inked by Czap, highlight facial close-ups that brilliantly depict emotions. Palacio begins each part of her story with quotations: from Muriel Rukeyser’s poetry, Anne Frank, and George Santayana. Nonetheless, Tourteau, whose real name is Julien, and his parents shelter Sara in their barn loft for the duration of the war, often at great peril but always with care and love. Sara hides and is soon spirited away by “Tourteau,” a student that she and the others had teased because of his crablike, crutch-assisted walk after being stricken by polio. Then, in 1943, after the German occupation, soldiers come to Sara’s school to arrest her and the other Jewish students. Born Sara Blum to a comfortable French Jewish family, she is indulged by her parents, who remain in Vichy France after 1940. A grandmother shares her story of survival as a Jew in France during World War II.Īs part of a homework assignment, Julian (Auggie’s chief tormentor in Wonder, 2012) video chats with Grandmère, who finally relates her wartime story.
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